EXOTIC 1924-1949

Western and Japanese designers have often looked to other cultures’ art for inspiration, particularly during the Art Deco period. Greater ease of travel and new archeological findings made the “exotic” more accessible, and interpretations of its art was fresh and innovative in its time. Art Deco was an international style, which adapted and appropriated motifs from around the world.

African and Polynesian Motifs

Silk Kimono, Taisho Era

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Silk Haori, Taisho Era

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Silk Kimono, Taisho Era

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The designers of these three kimono and haori seem to have used motifs drawn from both African and Polynesian art. To the untrained eye, the art of these two vast parts of the world is fairly similar. The examples shown here as possible inspiration for these kimono/haori are not specific to any one of these garments, but are meant to show the types of motifs that were available for inspiration to Japanese designers of this era.

Tuarag silver ring Date unknown (antique) Morocco

Tuarag silver ring
Date unknown (antique)
Morocco

Tuareg silver and carnelian pendant Date unknown (antique) Sahara region, Africa

Tuareg silver and carnelian pendant
Date unknown (antique)
Sahara region, Africa

Tapa (bark) cloth, date unknown South Sea Islands

Tapa (bark) cloth, date unknown
South Sea Islands

Designer unknown Fabric design with African motifs, 1920s France

Designer unknown
Fabric design with African motifs
, 1920s
France

Tapa (bark) cloth, early 20th century South Sea Islands

Tapa (bark) cloth, early 20th century
South Sea Islands

Carved wood printing blocks, contemporary West Africa

Carved wood printing blocks, contemporary
West Africa


Egyptian Revival 1920s

Silk Haori, Taisho Era
Private Collection

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Silk KImono, Taisho Era

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Over the centuries, several cycles of Egyptian Revival coincided with times when Egypt was thrust upon the world stage—as with Napoleon’s conquest of Egypt in 1798 and the discovery of the tomb of King Tutankhamun in 1922, which received world-wide press coverage. Egyptian Revival influenced fashion, architecture, furniture, decorative arts, and nearly every aspect of design in the West.
Japan saw Egypt as representing the origins of Western imperial civilization, and China for the ancient empires of in the East. Japanese designers seized on Egyptomania, producing consumer goods that included garments and decorative objects.

Saturday Evening Post cover, 1923 New York, New York, United States

Saturday Evening Post cover, 1923
New York, New York, United States

Franz Scheyder, architect Maison “Egyptienne,”  1905 Strasbourg, France

Franz Scheyder, architect
Maison “Egyptienne,” 1905
Strasbourg, France


Tropical Motifs

Silk Juban (underkimono), probably Taisho Era

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Art Deco screen, early 20th century Europe

Art Deco screen, early 20th century
Europe

The surface design of this juban resembles the Art Deco design on the screen above, as well as aloha shirts that became popular in Hawaii in the 1920s and 30s:
“Though its precise origins are lost to history, the aloha shirt first appeared in Hawaii in the 1920s or ’30s, probably when local Japanese women adapted kimono fabric for use in men’s shirting.”
—Smithsonian Magazine

Aloha shirt, 1920s-30s Hawaii, United States

Aloha shirt, 1920s-30s
Hawaii, United States


Silk men’s Juban (underkimono), probably Taisho Era

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